08 juni 2006

CD Wisselaar UIT > Phoenix - It's never been like this

Artiest : Phoenix

The French band Phoenix draws elements from an eclectic '80s upbringing to arrive at their rock-synth sound. Thomas Mars (vocals), Deck D'Arcy (bass), and Christian Mazzalai (guitars) were a garage band based out of Mars' house in the suburbs of Paris. Mazzalai's older brother Branco joined the band on guitar when his band Darlin' disbanded in 1995. The group got their touring start on the French bar circuit doing Hank Williams and Prince covers to drunk audiences. Two years later the band took on the name Phoenix and pressed 500 copies of a single on their own label, Ghettoblaster. The A-side was a punk rock song and the other a chugging Krautrocker, hinting at their eclectic tastes. Shortly after, they were signed to the Paris-based Source records. Phoenix became well aquainted with labelmates Air when they acted as their backing band on several U.K. TV appearances. The result of the electronic exposure was a single called "Heatwave," which was very similar to an old '70s disco tune. United, the group's debut album, appeared in 2000 on Astralwerks and was recorded over two months. The album featured guest appearances from friends and family, including Thomas Bangalter (Daft Punk), Phillipe Zdar (Cassius), and D'Arcy's mother's choral society on the track "Funky Squaredance." Alphabetical followed in 2004.

Album : It's never been like that

After avoiding the sophomore slump with relative ease, Phoenix return with their third release stripped of the post-disco house sound that helped to define them, focusing more on the songwriting side of things than any sort of dancefloor-focused groove. In fact, it takes until the fourth song, "Long Distance Call," for anything resembling a dancefloor beat to appear, and when it does it feels like an epilogue to the wonderful "If I Ever Feel Better" off the group's debut record. The band has definitely learned a thing or two through its evolution, placing more of an emphasis on guitar than before (Laurent Brancowitz and Christian Mazzalai sound as if they've been in the woodshed studying the chops of Johnny Marr and the twin-guitar attack of the Strokes' last few records), and their performances sound more confident than ever. Gone are the sluggish country-infused downtempo numbers, replaced with a more even-keeled track sequencing and tempo throughout -- almost as if they've been able to focus on the things that make the band so engaging to begin with, monopolize on them, and move forward in a refreshing and vibrant direction.

FritZ mening:

Het luistert wel lekker weg voor een keertje in 3VOOR12, maar om in de wisselaar te stoppen vind ik het net iets missen. Een zanger met meer mijn stijl zou een hoop goedmaken.

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